Bat for Lashes – New Album and Tour

June 13th, 2012

NEW ALBUM AND TOUR ANNOUNCED

It’s been three years since the last Bat for Lashes album, but we can finally reveal the new album ‘The Haunted Man’, will be released on October 15th.

Following a summer of live festival shows and to coincide with the release of the new album, a UK tour has also been announced for the autumn.

Tickets for ‘The Haunted Man’ tour go on sale this coming Friday 15th June at 9am.

 

OCTOBER

 

18 – Inverness, Ironworks

19 – Edinburgh, Picture House

21 – Glasgow, O2 ABC

22 – Manchester, Cathedral

25 – Leeds, Metropolitan University

26 – Norwich, University of East Anglia

28 – Leicester, O2 Academy

29 – London, HMV Forum

 

NOVEMBER

 

1 – Birmingham, HMV Institute

2 – Bristol, Anson Rooms

3 – Portsmouth, Pyramids

4 – Brighton, Dome Concert Hall

Palisades Post Live Video for “Bury It” – Band’s Debut EP ‘I’m Not Dying Today’ Out Now On Rise Records

March 21st, 2012

Palisades

“The Captain-f**king-America of post-hardcore acts”- Decoymusic

 Iselin, NJ’s Palisades have posted a live video for their track “Bury It” which was shot earlier this month in Orlando, FL with director Ryan Sheehy (Like Moths To Flames).

http://www.youtube.com/watch?v=sIVM5o3Y0T0&feature=player_embedded

The song appears on the band’s recently released Rise Records debut EP, I’m Not Dying Today. Palisades will be touring this spring as part of the Rise Records Tour, along with label mates The Air I Breathe, My Ticket Home and Hands Like Houses. Tickets may be purchased here: http://mytickethomeband.com/shows.

 

www.facebook.com/WeArePalisades

www.riserecords.com

 

Rise Records Tour Dates:

 

Wed May 2  Buffalo NY Broadway Joe’s

Thu May 3 Pontiac MI The Pike Room at Crofoot

Fri May 4  Joliet IL Mojoes

Sun May 6 St.Paul MN Station 4

Tue May 8  Colorado Springs CO Black sheep

Wed May 9   Ogden UT Mojo’s

Thu May 10  Sparks NV The Alley

Fri May 11  Camarillo CA Rock City

Sat May 12  San Diego CA Epicentre

Sun May 13 Los Angeles CA Whisky a Go Go

Mon May 14  Mesa AZ The Underground

Wed May 16  Fort Worth TX Tomcat’s West

Thu May 17  San Antonio TX White Rabbit

Fri May 18  Metairie LA The Cypress *

Sat May 19  Little Rock AR Downtown Music

Sun May 20  Memphis TN Newby’s

Mon May 21  Atlanta GA The Masquerade

Thu May 24  Greensboro NC Greene Street Club

Fri May 25  Richmond VA Kingdom

Sat May 26  Montclair NJ Montclair Chill

Sun May 27 New York NY The Studio @ Webster Hall

The Darlings’ The New Escape To Be Released April 24 on Gadsen Records/UMG – Band Confirmed For Vans Warped Tour July 13-August 5

March 21st, 2012

The Darlings

LA alt-rock outfit The Darlings are on a roll lately, and they’re only just getting started. After beating out hundreds of bands to win 2010’s Ernie Ball Battle of the Bands, the band garnered attention from influential LA modern rock station KROQ, which added their songs “Broken Hearts Still Beating” and “Let’s Roll” into steady rotation on DJ Kat Corbett’s weekly Locals Only show, resulting in them becoming a Bud Light Band of the Month on the station.

 

The band’s track “What Lies Below” was also picked up by the Anaheim Ducks, who used the track for their 09/10 season promo spots on Prime Ticket. The Darlings’ music has also appeared on FOX TV’s Good Day LA. In addition to securing endorsements from Ernie Ball, Supernatural Cymbals and the FC Cancer Foundation, the band hit the road on tours with the likes of Face To Face, Strung Out and Pennywise and shared the stage with Sum 41, Bad Religion, and Social Distortion.

 

The Darlings were recently showcased at NAMM 2012 and played in front of massive crowds at this year’s Musink Tattoo Convention and Music Festival. The band has also been added to the lineup for this summer’s Vans Warped Tour, marking their 4th time performing on the annual trek.

 

The Darlings’ debut LP release, The New Escape, due out April 24 on Gadsen Records/UMG, melds the individual members’ classic rock and alternative influences into a hearty dose of honest and pure, rock and roll that steers clear of trends and posturing. Stand out songs include “Broken Heart Still Beating” “Hypnotize “Head Hunter” and “These Wings.”

 

View The Darlings’ “Broken Heart Still Beating” music video at: www.youtube.com/watch?feature=player_embedded&v=kTavqXS-d_o#!.

 

The band will be filming a new music video later this month. Watch for the clip to premiere sometime in April.

 

http://thedarlingsmusic.com

http://gadsenrecords.com

The Darlings On The Vans Warped Tour:

Jul 13   Holmdel, NJ

Jul 19   Mansfield, MA

Jul 20   Camden, NJ

Jul 21   Uniondale, NY

Jul 24   Columbia, MD

Jul 25   Virginia Beach, VA

Jul 26   Atlanta, GA

Jul 27   Orlando, FL

Jul 28    West Palm Beach, FL

Jul 29    St.Petersburg, FL

Jul 30    Charlotte,, NC

Jul 31    Cincinnati, OH

Aug 01    Milwaukee, WI

Aug 04    Redmond,, WA

Aug 05    Portland, OR

Good Charamel Records To Release I LOVE J-ROCK II On April 10 – Compilation Brings the Latest and Greatest Female Japanese Rockers to America

March 21st, 2012

I<3 J-Rock

Good Charamel Records releases the I LOVE J ROCK 2 compilation featuring their 2012 roster of Female Japanese Rockers on 4/10/12…

 

“I Love J-ROCK 2” is the second in a series of compilations from Buffalo, NY based Good Charamel Records featuring some of the most exciting female fronted rock bands from Japan’s current rock scene. Featuring newcomers and seasoned rockers alike, ILJR2 is a great representation of the talent and diversity of Japan’s female rockers.

 

Making your way through Good Charamel’s label roster you are first treated to “Rock ‘N’ Roll High School” from Osaka’s legendary Shonen Knife celebrating their 30th Anniver­sary with the album “Osaka Ramones – Tribute to The Ramones”, 12 tracks recorded in the true spirit of Shonen Knife and the Ramones alike (released in August of 2011). Sho­nen Knife toured N. America in support of the latest release last fall and returns to do another month of dates in the US/Canada in July of 2012.

 

Also included on ILJR2 are 2 tracks from lo-fi/sci-fi rockers MOLICE including the new single/video “Please, Please, Pris” from their latest GC release “Neugravity” as well as “Headphones” from 2008’s “Doctor Ray” album (to be re-issued this year on GCR). Their first trip to the US for 2010 Anime Weekend Atlanta will most certainly not be their last.

 

Tokyo’s LAZYgunsBRISKY are again represented in this in this edition of ILJR with 2 sexy / raucous singles called “B.O.Y.” and “Beat You Out” from their brand new self-titled album “LAZYgunsBRISKY” , the exciting follow up to 2010’s “26 times” EP. Successful touring in Europethroughout 2011 has begun to make an international name for the mighty LGB.

 

The dangerously talented trio TsuShiMaMiRe mark their 12th year with 2 new North American releases; “Giving More Blood” a re-release of 2011’s “Giving Blood” (with bonus/demo tracks included), the song “Grapefruit Girl” has been included in this collec­tion, and also from their newest album, a concept piece entitled “Shocking” we are treated to the debut single “Hungry and Empty”. 2010’s “Sex on the Beach” tour found TSMMR extensively touring the US w/ Japanese punk Rockers Peelander-Z.

 

New to the Good Charamel Records J-Rock family is tricot, a young new band from Kyotogaining buzz and notoriety in the live houses of Japan over the past year. The track included is a hard hitting prog/ska track called “Baku Retsu Panie San” (complete with over 50,000 YouTube views). The combination of these 3 talented young ladies and a hard hitting male drummer make tricot an awesome new addition to the Good Charamel J-Rock Roster.

 

“I Love J-Rock 2” is an amazing collection of power packed Japanese female aggression and emotion, and in 2012 Good Charamel Records will continue their quest to bring this excit­ing genre of music to the people of North America!

 

View the I Love J-Rock 2 album trailer and sample all 8 songs from the record at: http://www.goodcharamel.com.

 

GOOD CHARAMEL RECORDS GC033

TRACK LISTING

 

1. Shonen Knife “Rock ‘N’ Roll High School”

from the album “Osaka Ramones”

 

2. MOLICE “Please, Please, Pris”

from the album “Neugravity”

 

3. LAZYgunsBRISKY “B.O.Y.”

from the album “LAZYgunsBRISKY”

 

4. TsuShiMaMiRe “Hungry and Empty”

from the album “Shocking”

 

5. tricot “Baku Retsu Panie San”

from the EP “Bakuretsu tricot-san”

 

6. MOLICE “Headphone”

from the 2009 album “Doctor Ray”

 

7. LAZYgunsBRISKY “Beat You Out”

from the album “LAZYgunsBRISKY”

 

8. TsuShiMaMiRe “Grapefruit Girl”

from the album “Giving More Blood”

ARTIST

 

Various Artists

TITLE

I Love J-ROCK II

 

STREET DATE

April 10th, 2012

 

GENRE

Alternative, Rock, College

 

GOOD CHARAMEL SITES

www.goodcharamel.com

www.myspace.com/goodcharamelrecords

www.twitter.com/goodcharamel

Wiley – New Video ‘Boom Blast’- (Alex D remix)

January 17th, 2012

Wiley builds up to the birthday release of his new album, “Evolve Or Be Extinct,” with the club smasher “Boom Blast.” Produced by Most Wanted Mega, “Boom Blast” sees Wiley spitting pure party lyrics over a low-slung, bass-led groove. WIth enough vocal hooks to keep an angler in fish for a decade, this is perhaps the most immediate tune from the Godfather of Grime™ since “Rolex,” three minutes thirty of energy and good humour. Leaked by the artist to select DJs, it’s already had plays from Mister Jam and Zane Lowe, with many more to follow. Wiley’s loyal soldier Alex D comes with the crunch-funk in a superb electronic reinterpretation.’

“Evolve Or Be Extinct” is perhaps WIley’s most complete album to date, showing many facets of his fascinating and at times contradictory character. It will be released on Thursday January 19th because that s Wiley’s birthday and that’s what he wanted. Go figure.

Check out the video here: http://www.youtube.com/watch?v=SGxBOqUTFIQ

Wiley ‘Boom Blast’- (Alex D remix) Single out 16th January on Big Dada

December 6th, 2011

Wiley builds up to the birthday release of his new album, “Evolve Or Be Extinct,” with the club smasher “Boom Blast.” Produced by Most Wanted Mega, “Boom Blast” sees Wiley spitting pure party lyrics over a low-slung, bass-led groove. With enough vocal hooks to keep an angler in fish for a decade, this is perhaps the most immediate tune from the Godfather of Grime™ since “Rolex,” three minutes thirty of energy and good humour. Leaked by the artist to select DJs, it’s already had plays from Mister Jam and Zane Lowe, with many more to follow.

The package is completed by two excellent remixes. Herner Werzog takes the tune into housier territory, giving things a distinctly cartoonish feel, whereas Sticky hardens up the funk and gives Wiley the disco work-out of his life. Wiley’s loyal soldier Alex D comes with the crunch-funk in a superb electronic reinterpretation.

“Evolve Or Be Extinct” is perhaps WIley’s most complete album to date, showing many facets of his fascinating and at times contradictory character. It will be released on Thursday January 19th because that s Wiley’s birthday and that’s what he wanted. Go figure.

MP3- Falty DL ‘Atlantis’ taken from EP ‘Atlantis’ out now on Ninja Tune

December 6th, 2011

Drew Lustman aka FaltyDL releases his debut EP with Ninja Tune and it’s an absolute cracker. Over its four tracks he shows the range and grasp of rhythm, atmosphere and melody which have made him one of the most exciting producers in electronic music right now.

Title track “Atlantis” is distinguished by a complex, swinging, relentlessly danceable beat, unfeasibly low bass hits and a melancholic tune which sits somewhere between Fourtet and classic rave.

FaltyDL is one of the hottest names in electronic music right now and the “Atlantis EP’ shows why. Immersed in the old New York and Chicago sound yet creating a more subtle and ultimately futuristic mash-up of influences, Lustman takes his influences and makes them fresh. The sometime sushi-chef and now New York resident has been turning heads since 2008, when Mike Paradinas signed his USified versions of UK Garage to Planet Mu and released it on an unsuspecting world. Since then, Lustman has looked to expand and evolve his signature sound over two albums, an EP and three singles for the label. In addition, he has released an afrobeat-inspired 12”, “Mean Streets Pt 1” with Loefah’s Swamp81 label, a single on Ramp backed with a remix from Jamie XX, plus remixes of his own for the likes of Mount Kimbie, The XX, Scuba, Photek, Anthony Shake Shakir and others.

Grab the free track now:

http://ninjatune.net/faltydl/

Shena – Stuck in the Middle

August 17th, 2011

“Stuck in the Middle” is one of those songs that once you hear it, it will take you back. Remember that summer love? Driving with the top down and nothing in this world mattered?? Holding that special someone close – so tightly that you’re afraid of suffocating them??? That is how I feel whenever I hear this song by break-out artist, Shena. She hails from England, but this singer-songwriter has her aim set on global domination.  When I first listened to this song, I was impressed by the slow build to the chorus. Musically, this song is pristine. It has all the right ingredients for both radio-play and club bumping.  At some point though, you have to turn your focus to the lyrics. I won’t ruin the journey for you, but behind the honey-sweet angelic voice is a story – a story you’ll have to experience for yourself. As a story-teller, it is obvious Shena speaks from the heart in her writing. If music were a canvas, she would be compared to Monet.

Shena: Firstly, thank you so much for such a complimentary review. The emotion that you’ve felt and expressed is exactly what I was trying to make the listener feel so I’m really pleased.

I look forward to hearing more reviews on the song and can’t wait for you all to hear the new material.

Big shout out to Tuned-Out for all your love and support.

Shena x

In addition to the song review, we asked Shena a few questions to gain insight into her style and interests outside of music. Check it out:

Tuned-Out: How long ago did you pen the lyrics to “Stuck in the Middle”?

Shena: I penned the song about 1 year ago.

TO: What’s the story behind the song? It just feels too personal to be a work of your imagination.

S: Well there really is no story as such, I went into the studio and my producer Ramzi had already produced a beat with a chorus melody in mind. We sat down and came up with the song in a very short amount of time. I try to write songs that mean something to people and even if they haven’t experienced that particular situation, they can at least feel the emotion in my songs.

TO: How involved were you in the production of “Stuck in the Middle”? Did you provide your vision for the song and trust the producers to interpret things or were you checked in at every milestone?

S: I provided my vision of the song and how I could see it developing, and then really left the rest to Ramzi because as far as singer & producer go, we have a great understanding.

TO: I hear very little processing on your vocals. In these days of over-saturated reverb and auto-tuning I find it refreshing. Did the producers try to introduce those elements to the song?

S: (Laughs)…Ramzi himself will tell you how I am a perfectionist when it comes to vocal delivery. He sometimes tells me that I hear imperfections that don’t even exist. On a serious note though, I pride myself on not needing to use auto tune and other effects because it’s easy to become lazy…and I take singing seriously. You can also lose some of the emotion and it all becomes a bit mechanical.

TO: What was your biggest challenge in recording/producing this single?

S: mmmmm, well as far as challenges go, there weren’t too many other than making sure the different tones were really noticeable so for example in the first verse, there’s a sense of desperation and anxiety whereas in the 2nd verse the first half is sung in a softer tone, almost reminiscent of how things used to be but then in the second half I talk about the excitement of one of the guys, here the tone becomes a little harder and edgier.

TO: Many artists are judged by their live performance. How difficult is it for you to recreate your recorded sound live?

S: It can be difficult at times because when you’re in the studio, if you’re having a bit of an off day, you can do as many retakes as you need whereas on stage, you get that one chance to shine and you’re thinking about the band, your vocals and overall performance delivery, making sure you’re audience remain interested and are enjoying the performance so there’s a lot to consider. Also I always perform live, either with a full band or acoustically so you have to deliver as you’re fully exposed. However, I’m very lucky as Ramzi is also my vocal coach, so my learning and development never stops.

TO: If someone were to come along and offer to buy your song for someone else to sing, would you do it? Is the music too personal for you to sell? I only ask because I see mass appeal with your writing style and many great singers don’t have that level of talent.

S: Interesting question….i think at this stage in my career, I probably wouldn’t be so willing to give my songs away but who knows, that may all change later on.

TO: Who would you love to collaborate with and why?

S: Ah, this is always a tough question as there are so many….but If i were to name one off a long, very long list!, it would have to be Celine Dion…her voice is just amazing and I know she would be able to teach me so much about music and the voice. The feeling and emotion in her voice is just incredible.

TO: I understand you gave up pursuing a university education to follow your dreams. How well did your family take this decision?

S: Well in the beginning not so well…as any parent does, my parents had my best interests at heart but I’m quite a determined individual so I pursued music anyway. I got a job and started funding my music independently…it’s important to have faith in yourself because as time has gone on, my parents have become some of my greatest supporters and really believe in my music as they’ve heard all the material that is yet to be released.

TO: Besides singing, what music instruments do you play?

S: I don’t, although I will be learning the piano as I love the instrument….the way it can make you feel so many different emotions.

TO: I know you hold mental health and cancer charities close to your heart. Any thoughts on benefit concerts or getting other artists to put out a compilation? Any charity work coming up in the not-so-distant future you’d like to make the readers aware of?

S: I would definitely (and probably will) put on a charity concert. In fact, this is something that I have already discussed with my management so look out for this in the future. As for charity work, I am considering climbing Mount Kilimanjaro…not sure when, but an uncle of mine has recently completed this and said it was the most amazing experience of his life – hopefully within the next year.

TO: Any upcoming shows you want to plug?

S: Yes of course, any opportunity to plug haha….I’ll be performing in London at a venue called The Gallery on August 27th…supporting Ramzi. Also a few acoustic sets in London…dates to be confirmed but keep an eye on my Facebook and Twitter for more details:

Facebook.com/shenamusiq1

Twitter.com/shenamusiq

Youtube.com/shenamusiq

James Hetfield Unleashes New EMG Signature Set at The Big 4

May 13th, 2011

 

History was made April 23, 2011 at “The Big 4” event in Indio California with four of the biggest acts in metal playing together for the first time in the U.S.  On this same day Metallica founder and front man James Hetfield unleashed his new EMG JH Set to 60,000 metal-hungry fans.

 

The JH Set is a totally new dimension for EMG with the design being driven solely with the input of James Hetfield.  In early 2009 James Hetfield contacted EMG Pickups president Rob Turner and presented him with a challenge: to create a “stealth” looking set that captures the clarity and punch of a passive pickup and still retains the legendary active tone that molded a generation.

 

Featuring sleek black nickel plated caps and EMG’s Solderless Installation System™ components, the JH Set consists of the JH-N (neck) and the JH-B (bridge).  Both pickups were patterned after the pickups James has used for 30 years but the end result was a completely different animal.  The JH-N has individual ceramic poles and bobbins that feature a larger core and are taller than the 60.  This produces more attack, higher output, and fuller low end in the neck position.  The JH-B uses the same type of core but has steel pole pieces, unlike the 81 that uses bar magnets. This produces the familiar tight attack with less inductance for a cleaner low end.

 

 

For more info and video (including interviews with James Hetfield) please visit www.emgpickups.com

Paisley and Charlie – Wax Fantastic~!

April 12th, 2011

Paisley and Charlie’s debut 7-inch single is out on May 9th . We chatted with them about the process and what they learned along the way.

Tuned-Out: This is the first release on vinyl for Paisley & Charlie. How did it come about?

Charlie Darling:  We were in Berlin last summer, playing at their Popfest, and were chatting to indie-legends ‘The Orchids’ – they’d just signed to this fab little label on the south coast of England -  where we’re from – called ‘Pebble Records’.  We’d heard of them, so decided when we got back to the UK we would send them some songs and see if they’d be interested.

Paisley Pattenden: Friends were always asking ‘when are you releasing something?’ so we realized we should probably get onto that.

TO: When did you know the time was right?

CD:  Probably on meeting The Orchids and realizing that we would be in good company on the label. Plus it really is about time we actually released some songs – we have been recording together for quite a while now!

PP:  We are constantly working on songs together and always wanted to release some. Pebble Records just felt like a perfect fit for us.

TO: What label is covering you on this endeavor? Was it funded independently or did you have any sort of sponsorship?

CD: Pebble Records are funding the entire release – thanks to the lovely and generous Michael – who just loves music.

PP: Michael at Pebble Records is a wonderful person, and not JUST because he is releasing our songs! He has a true passion for music and fairness and is an all-around good egg. Not at all actually round, like an egg. But you know what I mean.

TO: You’ve got quite a catalog of songs already. What are the songs you chose to go with and why did you choose them?

CD: Easy. Michael from Pebble chose them for us! But in all honesty, they were always in the back of our minds as two out of three or four that has always proved to be the most popular.

PP: Julia Misbehaves is a super popular song of ours and Stone Lions is a song that gets people at gigs singing along, which is nice.

TO: Did you have to approach the recording of these songs differently than you have in the past?

CD: No, not really – we always try our best – I think the only thing we had to consider was editing the songs down to what people consider to be ‘radio friendly’ lengths.  But, with the marvels of modern technology, we were able to just cut the odd instrumentals and breaks on computer and make sure the endings were neat and tidy.

TO: Were there any guest musicians featured on the recording?

CD: Just the two of us real people (plus a little help from Mr. Cakewalk and Mrs. Cubase).

TO: Were there any “a-ha!” moments during the process of getting your songs on vinyl?

PP: Luckily we just handed over our songs to Pebble Records and they did the rest! The most difficult thing was containing our excitement when playing the test pressings. We felt so happy and also very flattered to have a label invest in us and release our songs. Thank goodness, or the songs might have stayed on Charlie’s laptop forever!

TO: What was your biggest challenge with the whole process of getting your songs recorded, published and pressed on vinyl?

CD: You have to mix songs slightly differently if they’re going to be pressed on vinyl – there are probably scientific, technical reasons behind this – but all I know is that you have to watch the bass and the top end.  In all fairness, we didn’t change anything.

TO: Any record release party plans?

CD: Pebble Records are throwing a release party / gig on Friday 6th May at The Betsy Trotwood venue in central London – for us, The Socialist Leisure Party and Tracey’s Love – all Pebble acts – all releasing singles.

TO: Describe the feeling when you got the test pressings in your hands?

CD: It’s a wonderful feeling and even better when we heard the record being played at our friend Carl Henry’s studio – (we don’t actually own a record player).  It sounded so warm – marvelous.

PP: It felt like a long time coming, but well worth the wait. I held my breath when the needle went down, it was a magic moment.

TO: Now that you’ve done this pressing, are you considering a full-length release?

CD: Yes, plans are in place for an album, on cd, to be released in June.  The two songs will be included in their full-length form too, with a slight re-mix, just to keep people happy.

TO: Is there cover artwork for the sleeve? If so, what are the origins of it and why did you decide to move forward with the imagery?

CD: A friend of ours, the lovely Colin Howe, sent me a collection of films on DVD from the 50s and 60s – one in particular featured some groovy 60s types in overcoats, stripy shirts and thick glasses.  I really like the black and white simplicity and the feeling of nostalgia and we decided to try to replicate some of that – on a cold, windy day by the beach in January.  The cover shows us with an 8mm cine camera and old-fashioned bottles of cola as if taken by a Polaroid camera.  It’s a throwback to days before talent-show, TV popstars and shiny floor videos with circus troupes, dance routines and Auto-Tune effected songs.

TO: Where can people pick up the record?

CD: On the label website at – www.pebblerecords.co.uk

PP: They can come along to any Paisley and Charlie gig over the summer! We will have a few with us.

TO: Any recent gigs coming up you would like notify the readers of?

CD: Betsey Trotwood, London, Friday May 6th

PP: The next gig will be in London but we have other fiendish gig plans coming up, I will update our Tumblr regularly – www.paisleyandcharlie.com

 

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